Sanders played with the heaviest of hitters during his time in Chicago. The Super Super Blues Band. Over the years many bluesmen claimed to have known and played with Robert Johnson.

Sources: Robert Palmer's definitive Deep Blues , Wikipedia , AllMusic , NPR's Take Five , The Mississippi Blues Trail , and Dr. David Evans .

Wolf makes his bones with legends in the 1930s. "Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Two decades younger than players like Waters and Howlin’ Wolf, Guy would become the heir apparent to the greatest generation of blues and R&B players. Howlin' Wolf actually did. He was one of six children in his family. Live in Cambridge, 1966. Wolf later said, "The first piece I ever played in my life was a tune about hook up my pony and saddle up my black mare," referring to Patton’s Pony Blues.

For Howlin’ Wolf, there was no differentiation between art and life. Dixon's "Spoonful" is loosely based on "A Spoonful Blues", a song recorded in 1929 by Charley Patton (Paramount 12869), which is related to "All I Want Is a Spoonful" by Papa Charlie Jackson (1925) and "Cocaine Blues" by Luke Jordan (1927). Howlin' Wolf Sings the Blues. Live in Europe 1964. This Is Howlin' Wolf's New Album. Goin' Back Home. Howlin’ Wolf, born Chester Arthur Burnett, was born in White Station, near West Point, Mississippi, on June 10, 1910. When Wolf was a child, his grandfather told him stories of wolves in Mississippi. Guy played … Besides Howlin' Wolf, he also accompanied artists that included Jimmy Reed, Hound Dog Taylor, Albert King, Magic Sam, Little Junior Parker, BB King, and Bobby "Blue" Bland, to name just a few.

In the history of the blues, there has never been anyone quite like the Howlin' Wolf.Six foot three and close to 300 pounds in his salad days, the Wolf was the primal force of the music spun out to its ultimate conclusion. A Robert Johnson may have possessed more lyrical insight, a Muddy Waters more dignity, and a B.B. The London Howlin' Wolf Sessions. Message to the Young. The Original Folk Blues. Next: Signing up, gettin' married 1940s: In the army now WOLF’S RIGHT HAND: HUBERT SUMLIN, LEAD GUITAR GGUITARIST Hubert Sumlin was and is an utterly unique stylist who played on nearly all of Howlin’ Wolf’s greatest reeordingfr— "Spoonful-,* “Killing Floor,” “I Ain’t Superstitious,” He, along with his brothers and sisters, was raised on a plantation where his parents worked (Contemporary Musicians 111). He soon returned to Howlin’ Wolf’s band and played with the group until the singer died in 1976.

Howlin' Wolf: Booming Voice Of The Blues His name was Chester Arthur Burnett, but everyone called him Howlin' Wolf.

1910-1976 Chester Arthur Burnett, aka Howlin’ Wolf, projected the elemental power of the blues through his six-foot, three-inch, 275-pound frame, raw feral voice, electric guitar, and harmonica to stunning effect.He was a major contributor to the evolution of the electric Chicago blues, … Universal Special Products.

He played harmonica, …

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